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| 003 | OSt | ||
| 005 | 20200511125223.0 | ||
| 008 | 200511t20192019si a e 001 0 eng d | ||
| 020 |
_a9789814722957 _cRM125.00 _qpaperback |
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| 040 |
_aPPAK _beng _cPPAK _erda |
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| 082 | 0 | 4 |
_223 _a791.53095982 |
| 090 | 0 | 0 |
_a791.53095982 _bMRA _dG |
| 100 | 1 |
_aMrázek, Jan, _eauthor. |
|
| 245 | 1 | 0 |
_aWAYANG & Its DOUBLES : _bJavanese Puppet Theatre, Television and the Internet / _cJan Mrázek |
| 246 | 3 | 3 |
_aWayang and its doubles : _bJavanese puppet theatre, television and the internet Javanese puppet theatre, television and the internet |
| 264 | 1 |
_aSingapore : _bNUS Press ; _c[2019] |
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| 264 | 4 | _c©2019 | |
| 300 |
_axiv, 349 pages : _billustrations ; _c23 cm |
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| 336 |
_2rdacontent _atext |
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| 337 |
_2rdamedia _aunmediated |
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| 338 |
_2rdacarrier _avolume |
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| 500 | _aIncludes index | ||
| 504 | _aBibliography pages : 337-343 | ||
| 520 | _a"Much has been said about how Javanese puppet theatre, wayang kulit, richly reflects the Javanese world, and how changes and tensions in performance practice mirror those in culture and society. For decades, television has been as intensely part of the Javanese world as wayang. This book explores the ways two complex media and modes of being, seeing and fantasizing, with their different cultures, coexist and meet, and haunt or invade each other. It is what a Javanese commentator calls a "difficult marriage": intimate on the one hand, deeply alienating on the other, institutionalized yet at the same time mercurial and shifting. This encounter is explored on many levels: from performance aesthetics and the technicalities of television production, to issues of time, space, light, place, and movement, to audience experience of live and televised performances, to the collaboration and struggle between performers and television producers. Central to the book are personal perspectives and experiences, as well as Javanese discussions surrounding the interaction between wayang and television and their cultures. They are brought into a conversation with reflections on media and technology by writers such as Karl Marx, Martin Heidegger, Maurice Merleau-Ponty, Jacques Derrida, Paul Virilio, and James Siegel. Wayang’s relationship with television is considered in the context of the theatre’s intercourse with older and newer media, including electricity, radio, audio- and video-recording, the internet and social media." | ||
| 650 | 1 | 0 | _aWayang |
| 650 | 2 | 0 |
_aShadow shows _zJava _zIndonesia |
| 650 | 2 | 0 |
_aPuppet theater _zIndonesia _zJava |
| 942 |
_2ddc _cB |
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| 999 |
_c177040 _d177040 |
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