000			02183nam a2200349 i 4500
003			OSt
005			20211116140529.0
007			ta
008			181003s2017 my o|||e m||| 00| 0 may d
040			_aPPAK _beng _cPPAK _erda
082	0	4	_a796.1509595 _223
090	0	0	_a796.1509595 _bKK _dMOH
100	1		_aMohd Fauzi bin Fadzil , _eauthor
245	1	4	_aRupa dan Jiwa Wau Jala Budi Kedah / _cMohd Fauzi bin Fadzil . _h[Dissertation]
264		0	_aSarawak : _bUniversiti Malaysia Sarawak ( UNIMAS) , _c2017
300			_axxiv , 269 pages ; _c30 cm
336			_2rdacontent _atext
337			_2rdamedia _aunmediated
338			_2rdacarrier _avolume
500			_aIncludes biography (Tesis)
500			_aIncludes photographs
500			_aIncludes glossaries : pages xxiii - xxiv
502			_aDissertation _b(Ph.D) -- _cUniversiti Malaysia Sarawak (UNIMAS) _d2017
504			_aIncludes bibliographies : page 245 - 253
506	1		_aRestricted access : Photocopying and photographing dissertation is not permitted. _cAvailable at Kedah Collection's. _fNo online access. _3Master copy. _2star
520			_aThis dissertation shows a study of scientific nature on a national traditional kite which is ‘Wau Jala Budi’ that becomes the pride of the Malay community in the state of Kedah. _bThe focus of this study is on the Jala Budi Kedah kite, the kinds of decorations which include a complete and detailed description of the artistic construction, concept and the philosophy underlying the design, and analysis of the aesthetic context underlying the aspect of decorations on the kite. Three theories used as guidelines in this scientific study that is the concept of Malay art, the theory of aesthetic significant form, and aesthetic principles. The process of producing Jala Budi Kedah kite and the type of decorations which have been detailed, begin from the process of selecting the reed or bamboo until the final process of installing the arch, is seen as very complicated as it demands high degree of perseverance and patience.
522			_aMalaysia
650	1		_aKites _zMalaysia
650	2		_aArts _zMalaysia
650	2		_aKites in art
942			_2ddc _cDIS
999			_c169736 _d169736